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  • Francesco Arena, Cassetta (bianca), 2026
    Francesco Arena, Cassetta (bianca), 2026
    Francesco Arena, Cassetta (bianca), 2026
    Francesco Arena, Cassetta (bianca), 2026
    Francesco Arena, Cassetta (bianca), 2026 Jacques-Louis David, La Mort de Marat [The Death of Marat], 1793 Collection of Royal Museum of Fine Arts of Belgium.

    Francesco Arena

    Cassetta (bianca), 2026
    white bronze
    63 x 31 x 45 cm
    Copyright The Artist
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    %3Cdiv%20class%3D%22artist%22%3EFrancesco%20Arena%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECassetta%20%28bianca%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Ewhite%20bronze%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E63%20x%2031%20x%2045%20cm%3C/div%3E

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    • (View a larger image of thumbnail 1 ) Francesco Arena, Cassetta (bianca), 2026
    • (View a larger image of thumbnail 2 ) Francesco Arena, Cassetta (bianca), 2026
    • (View a larger image of thumbnail 3 ) Francesco Arena, Cassetta (bianca), 2026
    • (View a larger image of thumbnail 4 ) Francesco Arena, Cassetta (bianca), 2026
    • (View a larger image of thumbnail 5 ) Francesco Arena, Cassetta (bianca), 2026
    Francesco Arena's 'Cassetta (bianca)' is the three-dimensional realisation of the wooden box that is the focal centrepiece of Jaques-Louis David's 1793 painting La Mort de Marat. In the painting, this...
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    Francesco Arena's 'Cassetta (bianca)' is the three-dimensional realisation of the wooden box that is the focal centrepiece of Jaques-Louis David's 1793 painting La Mort de Marat. In the painting, this old wooden parallelepiped is used by the murdered Marat as a holder for the papers and inkwell he used to write while immersed in the bath. David's painting is preserved at Musées Royaux des Beaux-Arts de Belgique. The mirror-polished bronze sculpture reflects everything around the work by sucking it into it, making it almost invisible.

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    Cassetta è la realizzazione tridimensionale della cassetta di legno centro focale del dipinto La Mort de Marat di Jaques-Louis David del 1793, nel dipinto questo parallelepipedo di legno vecchio viene utilizzato dal Marat assassinato come supporto per i fogli e il calamaio che utilizzava per scrivere mentre era immerso nella vasca da bagno. Il dipinto di David è conservato presso Musées Royaux des Beaux-Arts de Belgique. La scultura in bronzo lucidato a specchio riflette tutto ciò che è intorno all’opera risucchiandolo all’interno di questa rendendola quasi invisibile.

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