Biography
Pedro Cabrita Reis was born in 1956 in Lisbon, the city where he currently lives and works. He has participated in many international exhibitions, such as the 59th Venice Biennale, ''Field'' a large-scale sculpture within Chiesa di San Fantin, Venice, Italy; Documenta XIV (2017), A Remote Whisper, a collateral event of the 55th Venice Biennale (2013), 10th Biennale de Lyon (2009). In 2003, he represented Portugal at the 50th Venice Biennale. Among the past main shows: Documenta IX in Kassel in 1992; the 21st and 24th São Paulo Biennales, respectively in 1994 and 1998; and the Aperto section of the 47th Venice Biennale in 1997. 
 
Among his solo shows: Santa Casa da Misericórdia de Lisboa, Lisbon, Portugal (2024); Sprovieri, London, UK (2023); La Lonja, Palma de Mallorca (2023); Centro de Arte Contemporáneo de Málaga (2020); Centro Galego de Arte Contemporánea, Santiago de Compostela; Serralves Museum of Contemporary Art (2019); MAXXI, Rome (2016); The Arts Club, Chicago (2015); Museu Coleção Berardo, Lisbon (2011); Pinacoteca Do Estado, São Paulo (2010); Hamburger Kunsthalle (2010); Museo Tamayo Arte Contemporaneo, Mexico City (2009); Fondazione Merz, Turin (2008).
 
His group exhibitions include: The Three Graces, Jardin des Tuileries, Paris, France (2022); Museo de Arte de Zapopan, Guagalajara, Mexico (2019); Bernado Museum, Lisbon, Portugal (2018); Centre d'Arte Contemporain Meymac, Meymac, France (2018); FRAC Provenance-Alpes-Côte d'Azur, Marseille, France (2017); and Museo Cantonale d'Arte, Lugano, Switzerland (2013). 
 
Cabrita Reis’s work has steadily received international acknowledgement, thus becoming crucial and decisive for the understanding of sculpture from the mid-1980s onwards. His complex practice is characterised by an idiosyncratic philosophical and poetical discourse embracing a great variety of means: painting, photography, drawing and sculptures composed of industrial and found materials alongside manufactured objects. Amongst Cabrita’s key elements are heavy steel bars, found windows and door frames and many of his works incorporate fluorescent strip lighting. Use of light is used frequently to divide, define and illuminate space whereas, besides the study of the window as a renaissance structure opening new perspectives on the space, Cabrita Reis puts particular emphasis on its physical construction. The concept of windows creates a direct relation between image and environment in a mechanism that employs the basic structures of the surrounding architecture. On the one hand, through the technical potentiality established in the making of the work, and on the other, carrying out a direct association with the light Focused on questions relative to space and memory, the equilibrium between light and matter is expressed in the balance between architecture and image and "creates a reality in its own right, instead of reproducing it”(Cabrita).
Works
  • Pedro Cabrita Reis, Flower Pot #3, 2023
    Pedro Cabrita Reis
    Flower Pot #3, 2023
    Oil on raw canvas
    180 x 180 cm
  • Pedro Cabrita Reis, The Window Paintings #11, 2021
    Pedro Cabrita Reis
    The Window Paintings #11, 2021
    Pigmented acetone and acrylic on raw canvas
    173 x 122 x 16,5 cm
  • Pedro Cabrita Reis, White Trees #3, 2021
    Pedro Cabrita Reis
    White Trees #3, 2021
    painted steel
    197 x 81 x 40 cm
  • Pedro Cabrita Reis, Landscapes 2020 (series III) #4, 2020
    Pedro Cabrita Reis
    Landscapes 2020 (series III) #4, 2020
    acrylic on plywood mounted on aluminium, glass
    61.5 x 75.5 x 11.5 cm
  • Pedro Cabrita Reis, The Redux Suite #4, 2018
    Pedro Cabrita Reis
    The Redux Suite #4, 2018
    aluminium frame, crayon on plywood, found wood, Paintings 2017, #23, (Casa Queimada), 2017, cardboard, aluminum shelf, found burlap bag, glass
    151 x 120 x 16 cm
  • Pedro Cabrita Reis, Suite Morandi #4, 2017
    Pedro Cabrita Reis
    Suite Morandi #4, 2017
    oil on steel
    26.5 x 51.2 x 18.5 cm
  • Pedro Cabrita Reis, London Angles #1, 2014
    Pedro Cabrita Reis
    London Angles #1, 2014
    chromed steel, aluminium, fluorescent light and electric cable
    dimensions variable
  • Pedro Cabrita Reis, The Aluminium Monochromes #20, 2012
    Pedro Cabrita Reis
    The Aluminium Monochromes #20, 2012
    acrylic on aluminium
    34.1 x 49.1 x 12 cm
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