Biography
Born in Tiradentes, Brazil, Matheus Rocha Pitta works with photography, sculpture, video and installations. Through site interventions and sculptural actions, his work conveys knowledge and narratives and through the use of images and objects, it creates relevant references to contemporary and past events. Rocha Pitta is particularly concerned with the two processes of apprehension and conversion. Apprehension has a double valence - ‘to take hold or confiscate’ and ‘to understand and perceive’. Consequently, images and objects - commodities taken from the outside world - become a means of expressing and understanding a specific reality. The process of conversion is based upon this exchange between matter and images, which becomes a phenomenological experience through his exhibitions. Rocha Pitta’s exhibitions are often constructed as circuits where the viewer is able to pick up references, develop thoughts and link the different elements that constitute the exhibition as a whole. 
 
Matheus Rocha Pitta was the recipient of the Illy Sustain Art Prize, Madrid (2008). He participated in the 9th Taipei Biennial (2014) and the 29th São Paulo Biennial (2010). His work is part of important public collections such as the Museum of Modern Art, Rio de Janeiro, Brazil and the Castello di Rivoli, Turin, Italy.
 
Recent solo exhibitions include: Kunstverein, Hamburg (2020); Künstleraus Bethanien, Berlin (2017); Gluck 50, Milan (2015); Fondazione Morra Greco, Naples (2013); Pivô, San Paolo (2013); and Centro Cultural Banco do Brazil, Rio de Janeiro (2010). 
 
The artist's works have been included in several group shows:  Labirintos e abalos sísmicos, Galeria Francisco Fino, Lisbon, Portugal (2023); What Separate Us, Brazilian Embassy, London, UK (2016), Aparições, Caixa Cultural Rio de Janeiro, Brazil (2015); Blind Field, Eli and Edythe Broad Art Museum, East Lansing, United States(2013); After Utopia, Centro per l’arte contemporaneo Luigi Pecci, Prato, Italy(2009).
 
He participated in the 9th Taipei Biennial (2014) and 29th Bienal de São Paulo (2010) and was included in group exhibitions at Museu de Arte do Rio, Rio de Janeiro (2016); Matadero Madrid (2014); Museu de Arte Moderna, San Paolo (2014); Palais de Tokyo, Paris (2013); Krannert Art Museum, Illinois, USA (2013); Museu de Arte Moderna de São Paulo, Brazil (2011); and Institute d’Arte Contemporain, Lyon, France (2011).
Works
  • Matheus Rocha Pitta, The third siren (Pasolini), 2019-2020
    Matheus Rocha Pitta
    The third siren (Pasolini), 2019-2020
    Concrete, paper, chains and selfie sticks
    240 x 48 x 48 cm
  • Matheus Rocha Pitta, Brasil #1, #2, #3, #4, #5, #6, #7 and #8, 2013
    Matheus Rocha Pitta
    Brasil #1, #2, #3, #4, #5, #6, #7 and #8, 2013
    ilfochrome print
    50 x 50 cm | edition of 3 + 2 AP
  • Matheus Rocha Pitta, Primo accordo (diptych), 2013
    Matheus Rocha Pitta
    Primo accordo (diptych), 2013
    concrete and newspaper clips
    84 x 122 cm each
  • Matheus Rocha Pitta, Nau, 2011-2013
    Matheus Rocha Pitta
    Nau, 2011-2013
    framed digital c-print
    30.5 x 40.5 cm each | edition of 3
  • Matheus Rocha Pitta, Slab #4 (milk), 2011
    Matheus Rocha Pitta
    Slab #4 (milk), 2011
    concrete, paper and labels
    33 x 22 x 4 cm
  • Matheus Rocha Pitta, Untitled, 2010
    Matheus Rocha Pitta
    Untitled, 2010
    photograph
    50 x 70 cm | edition of 3
  • Matheus Rocha Pitta, Drive Thru # 1, 2007
    Matheus Rocha Pitta
    Drive Thru # 1, 2007
    video colour and sound
    edition of 5 + 1AP
  • Matheus Rocha Pitta, Untitled, still of Drive Thru #1, 2007
    Matheus Rocha Pitta
    Untitled, still of Drive Thru #1, 2007
    photograph
    90 x 120 cm | edition of 5 + 1AP
Exhibitions
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